{"id":4501,"date":"2010-12-07T07:38:36","date_gmt":"2010-12-07T15:38:36","guid":{"rendered":"https:\/\/www.plumpub.com\/kaimen\/?p=4501"},"modified":"2010-12-06T17:53:11","modified_gmt":"2010-12-07T01:53:11","slug":"my-upward-blog","status":"publish","type":"post","link":"https:\/\/www.plumpub.com\/kaimen\/2010\/my-upward-blog\/","title":{"rendered":"My Upward Blog"},"content":{"rendered":"<p><strong><span style=\"color: #888888;\">The Quest for the True Upward Block<\/span><\/strong><\/p>\n<p>Years ago I knew one Roger Greene, a formidable practitioner of the all too rare Kang Do Kwan style. <!--more--><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" style=\"margin-left: 5px; margin-right: 5px;\" title=\"Bagua Crane position Ted Mancuso\" src=\"http:\/\/www.plumpub.com\/images\/GX_ted\/gx_cranetwist.jpg\" alt=\"\" width=\"127\" height=\"174\" \/>He was one of those black belts whose kicks felt like someone had taken a nine-pounder to your solar plexus. He also had the distinction of being the <strong>only<\/strong> person I had ever seen actually use the upward block. George Dillman, never one to speak in a whisper, also complained that no one really employed this classical move. So why am I writing about it when I could be on tea break? There is a whole little universe in walnut shells and sometimes in a single movement, too. I first learned the upward in Kenpo which has a neat and clever analysis of the block insisting that the final position was angled so the descending strike would glance off. That was what made us different from those <strong>OTHER<\/strong> guys who kept it flat as a lintel. At the time it made sense. Your attacker strikes down. You step off to the side. And you shoot your block upward to deflect his attack. Having n questions, I was satisfied.<\/p>\n<p><a href=\"https:\/\/www.plumpub.com\/kaimen\/wp-content\/uploads\/2010\/12\/upwardblock3blu.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-4506\" style=\"margin-left: 6px; margin-right: 6px;\" title=\"upwardblock3blu\" src=\"https:\/\/www.plumpub.com\/kaimen\/wp-content\/uploads\/2010\/12\/upwardblock3blu-200x132.jpg\" alt=\"\" width=\"200\" height=\"132\" srcset=\"https:\/\/www.plumpub.com\/kaimen\/wp-content\/uploads\/2010\/12\/upwardblock3blu-200x132.jpg 200w, https:\/\/www.plumpub.com\/kaimen\/wp-content\/uploads\/2010\/12\/upwardblock3blu.jpg 276w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Years later I met a Korean stylist. We were comparing forms when I threw an upward. He stopped everything. He said that his style was the only Korean one he knew of that threw the block at an angle like ours. \u201cMy teacher,\u201d he explained, \u201cwas attacked in World War Two by a Japanese soldier with a sword. He blocked the sword but <strong>changed<\/strong> the block to protect his head and save his life.\u201d I asked what happened to the Japanese. \u201cHe killed him.\u201d I nodded, &#8220;And your teacher\u2019s arm?&#8221; \u201cIt was cut off at the forearm, but he lived.\u201d I nodded more rapidly, but I was thinking that this was definitely the hard way to learn how a move functioned. Years passed. I would watch sparring, fighting, technique\u00a0 practice. No upwards. When people struck downward the trained students just moved off at an angle and <strong>evaded<\/strong> the problem. One day I was practicing Xing Yi, the Fire move, an upward block coupled with an uppercut. A fellow instructor mentioned how in his style if someone struck your face and your blocking hand was coming from beneath it would ride the opponent\u2019s strike right past the eyebrow. And there it was! The upward not <a href=\"https:\/\/www.plumpub.com\/kaimen\/wp-content\/uploads\/2010\/12\/upwardblock1tint.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-4508\" style=\"margin-left: 6px; margin-right: 6px;\" title=\"upwardblock1tint\" src=\"https:\/\/www.plumpub.com\/kaimen\/wp-content\/uploads\/2010\/12\/upwardblock1tint.jpg\" alt=\"\" width=\"126\" height=\"144\" \/><\/a>against a downward striking action but against an <strong>upward<\/strong> one; shoving it past the eyebrow, continuing the motion past your face so you can throw a counter-move. From here I figured a half dozen ideas for using the upward even if it were against a dropping move; they all worked. What made the difference? To not think of it as an IMPACT but rather a DEFLECTION riding in a direction picked by the opponent. In this way the upward just augmented an action to where it neutralized itself.<\/p>\n<p>What\u2019s the point of all this? That too often the martial artist learns the <strong>final<\/strong> position, the pose, the outcome and forgets that the action, the process, the development are the core of the meaning. What was finally the lesson of the upward? Think things from the beginning of the move, or the middle, or backwards and not just the end.<\/p>\n<p>Oh, and Roger did use the upward, even in sparring, but he used the <strong>upper<\/strong> arm part of the block, not the forearm everyone else practiced. Go figure.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.plumpub.com\/kaimen\/wp-content\/uploads\/2010\/12\/upperblock2tint.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-4507  aligncenter\" title=\"upperblock2tint\" src=\"https:\/\/www.plumpub.com\/kaimen\/wp-content\/uploads\/2010\/12\/upperblock2tint-200x87.jpg\" alt=\"\" width=\"382\" height=\"165\" srcset=\"https:\/\/www.plumpub.com\/kaimen\/wp-content\/uploads\/2010\/12\/upperblock2tint-200x87.jpg 200w, https:\/\/www.plumpub.com\/kaimen\/wp-content\/uploads\/2010\/12\/upperblock2tint-300x131.jpg 300w\" sizes=\"auto, (max-width: 382px) 100vw, 382px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>He also had the distinction of being the only person I had ever seen actually use the upward block&#8230;<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[19],"tags":[731,729,125,732,730,728,50],"class_list":["post-4501","post","type-post","status-publish","format-standard","hentry","category-article","tag-kang-do-kwan","tag-kempo","tag-kenpo","tag-norman-ra","tag-roger-greene","tag-upward-block","tag-xing-yi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - 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