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SHAOLIN TEMPLE
BOXING-Page 2
The
saying goes, "Under Heaven Shaolin is the Mother of Martial
Arts" and "One Hundred Flowers come from Shaolin."
It's a wonderful thought and we studied Shaolin for many years
but it isn't true. Shaolin is now such a generic phrase and so
overused as to be of very little use. Still there are some indications
of styles which are probably "closer" to the core and
meaning of the system. Shaolin is, in reality, a Middle Fist not
a Long Fist though it is generally categorized as such. It is
a huge style with over 200 staff sets and the temple itself was
more of a repository for centuries of martial artists: sort of
a living library of Alexandria. In this sense Shaolin is indeed
an important and historically significant style. It is also often
beautiful and "honest"; a style of contrasts and movements
known throughout the world.
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Shaolin Mantis Cha Chui -
SC 805
by
Geng Jun
110 pages, photographs and a summary sequence at the end
This dual language Chinese/English edition is beautifully designed.
This series has an introductory calligraphic introduction by Yang Zhao Ting, the former president of the National Chinese WuShu Association. The writer of the series, Geng Jun, studied under Su Xi, Su Fa and Li Zhuan Yuan. There are general notes and demonstrations of the Shaolin stances for the entire series. There's also a nice short color section on students and Geng Jun's activities. The side-by-side Chinese and English make this a very useful text with clear instructions.
THIS BOOK shows the entire Shaolin version of the famous Seven Star Mantis form "Insert Hammer". Form only.
See some of the author's VCDs.
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 Shaolin Yan Qing Boxing -
SC 806
by
Geng Jun
142 pages, photographs and a summary sequence at the end
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Shaolin Cannon Fist -
SC 811
by
Geng Jun
202 pages, photographs and a summary sequence at the end
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 Shaolin "Secret" Kan Jia Road #1 -
SC 812
by
Geng Jun
119 pages, photographs and a summary sequence at the end
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 Shaolin LuoHan (Arhat) Boxing -
SC 813
by
Geng Jun
148 pages, photographs and a summary sequence at the end
This dual language Chinese/English edition is beautifully designed.
This series has an introductory calligraphic introduction by Yang Zhao Ting, the former president of the National Chinese WuShu Association. The writer of the series, Geng Jun, studied under Su Xi, Su Fa and Li Zhuan Yuan. There are general notes and demonstrations of the Shaolin stances for the entire series. There's also a nice short color section on students and Geng Jun's activities. The side-by-side Chinese and English make this a very useful text with clear instructions.
THIS BOOK shows one of the most famous of the contemporarily recognized forms of Shaolin. It contains, among other postures, the famous "sleeping Arhat" pose. Some skill required. Form only.
See some of the author's VCDs. |
 Shaolin 7 Star Small Frame -
SC 814
by
Geng Jun
108 pages, photographs and a summary sequence at the end
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Shaolin Mantis White Ape Offers Fruit -
SC 815
by
Geng Jun
108 pages, photographs and a summary sequence at the end
This dual language Chinese/English edition is beautifully designed.
This series has an introductory calligraphic introduction by Yang Zhao Ting, the former president of the National Chinese WuShu Association. The writer of the series, Geng Jun, studied under Su Xi, Su Fa and Li Zhuan Yuan. There are general notes and demonstrations of the Shaolin stances for the entire series. There's also a nice short color section on students and Geng Jun's activities. The side-by-side Chinese and English make this a very useful text with clear instructions.
THIS BOOK teaches one of Shaolin's Praying Mantis forms. It is said that after monk, Wang Lang, developed Praying Mantis he returned to the temple for three years and taught his style there. The White Ape series recalls the influence of Monkey Boxing on the Praying Mantis. Where, exactly, Shaolin Mantis lies in the general scene of Praying Mantis if open to discussion but if it exists at all this would be a representative set. Form only.
See some of the author's VCDs. |
Shaolin Mantis White Ape Presents to the Mother -
SC 820
by
Geng Jun
100 pages, photographs and a summary sequence at the end
This dual language Chinese/English edition is beautifully designed.
This series has an introductory calligraphic introduction by Yang Zhao Ting, the former president of the National Chinese WuShu Association. The writer of the series, Geng Jun, studied under Su Xi, Su Fa and Li Zhuan Yuan. There are general notes and demonstrations of the Shaolin stances for the entire series. There's also a nice short color section on students and Geng Jun's activities. The side-by-side Chinese and English make this a very useful text with clear instructions.
THIS BOOK teaches one of Shaolin's Praying Mantis forms. It is said that after monk, Wang Lang, developed Praying Mantis he returned to the temple for three years and taught his style there. The White Ape series recalls the influence of Monkey Boxing on the Praying Mantis. Where, exactly, Shaolin Mantis lies in the general scene of Praying Mantis if open to discussion but if it exists at all this would be a representative set. Form only.
See some of the author's VCDs. |
 Shaolin Plum Blossom Boxing -
SC 821
by
Geng Jun
116 pages, photographs and a summary sequence at the end
This dual language Chinese/English edition is beautifully designed.
This series has an introductory calligraphic introduction by Yang Zhao Ting, the former president of the National Chinese WuShu Association. The writer of the series, Geng Jun, studied under Su Xi, Su Fa and Li Zhuan Yuan. There are general notes and demonstrations of the Shaolin stances for the entire series. There's also a nice short color section on students and Geng Jun's activities. The side-by-side Chinese and English make this a very useful text with clear instructions.
THIS BOOK teaches one of Shaolin's more famous forms. The Plum Blossom design is a five petaled cross. In the old days monks would train on poles six feet in the air moving form one to another planted in this Plum Blossom design. This Kung Fu form has some leaps and light legged stances representing the actions on the balance poles.
See some of the author's VCDs. |
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