George Xu & Friends
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First the mechanics—too much distance between speaker and audience creates some troubles for listeners. A little ambiguity is added by dampened lights in the lobby. These aside, we have here a step by step tour of the important points common between Tai Chi, BaGua and Xing Yi with special emphasis on the last. As happens in this series and a few others, the knowledge discussed is enlivened tremendously just by hearing it from people who know the general shape of the disciplines. Jiang is a clear teacher and gives a lot of instruction, and understanding is aided by the immediate translation into English, although a little scrambled at times. Nonetheless everything resolves those all-important “gongs” showing a detailed overall structure to Xing Yi. In demonstration we see a powerful and well-trained spine and a fluid waist; in fact, the waist skill is most notable in the BaGua demonstration.
This, essentially, what the face of the DVD says— a LECTURE. Very little movement, and immediate translation but not entirely clear or slow enough to catch all the fine points. Posture, movement, points and applications are all touched on, but really could be better offered to practitioners with a pretty high level of training. Put this one on a shelf, and keep returning to the contents, periodically. |
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With few exceptions, I can see a very small group of people in these last decades who have contributed as much to the spread and development of classical Chinese martial arts as George Xu (Xu Guo Ming). This new double DVD shows a fuller face to the architecture he is designing. Everything about his approach the last few years has been like a great painter opening another route of exploration; like Picasso’s blue period or Kandinsky’s dancing colors. That's probably the reason he felt compelled to create his new style. (Ling Kong Shen Shi Men: See last Xu post.) Are you talking about traditional martial arts or what? Contrary to what so many think, following the old masters can be a source of tremendous knowledge. But you must be willing to own and change what they began, a task not many want to take up. None of this bothers teacher Xu at all. Tradition, in his case is, reborn fresh. What is he doing, exactly? First point, he is re-invigorating the spirit of martial studies. This double DVD uses the concept of python-like movement and tiger-like movements—but not as theatrical demonstrations, unlike the stylized and ritualized movements of, say, snake boxing. Instead, he brings the animal back into the art. So, how does he do it? With pure intentionality. Every type of movement demonstrated is immediately and obviously “natural.” This living practice blends with all of the previous discoveries found on his last few disks. Though structured, his movements—which sometimes barely resemble martial moves—allow for a kind of captured space instead of a set of actions, no matter how fast. He fills that space with a cloudburst of spontaneously generated actions. Is this like doing basics? More like discovering basics. He is whole-hearted in application. When he executes, I spot an energy like a weed cracking cement, barely visible until it has displaced any obstacle. George is a polyglot in the world of energies. He easily switches from a technique like felling a tree, to threads weaving through all defenses without a sign of its sneaky path. George Xu reconstructs methods which even dedicated martial practitioners have abandoned for meaning, just practicing out of loyalty and, sometimes, laziness. In his hands they bloom again. Because he wants to reclaim the power of Kung Fu, he is diving into the backload of martial movements, returning them to a state where they no longer pretend poses are power. His jellyfish-like shivering, or windstorm tree branches completely translates to his forms. That’s right, his most formless movements are drawn with the same brush as his fighting technique. There is no disparity. There are flaws, of course. The camera work on this series is not exceptional, the helpers sometimes unable to follow Xu's quick thinking and rickety English. It all has a minimalist feel. So, buy one or all of his DVDs, but take time out to listen carefully and move in a manner that is unpunctuated, bringing power from the “somewhere else” we all know, but rarely find.
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The distinction it fosters is not uncommon—it lives in Bagua, for example. These terrible twins are split into the so-called “Post-birth” training, and the much harder to accomplish “Pre-birth” approach.
Though certainly not the ONLY practitioner working with such high-level material, I think one of the clearest versions of authentic pre-birth training comes now through the example of George Xu. His new two disk set, which includes both exercises and a lecture on these advanced skills, comes closest to actually demonstrating a group of movements which are mostly constructed to jump beyond the formalized regimens of most CMA. After decades of training, George Xu has brought all of his thoughts together in a distinct approach, and an offical new style called Ling Kong Shen Shi Men. If you have followed Xu's career at all you would see that his shapeless, inner-controlled, skills have been evolving for years. And, in fact, you would see that many of his DVDs deal with these seemingly free-form exercises and the core concept covered in his hour-plus lecture on his style. Finally, of course, by definition, he has also shown us what he would like to see in any style, except now he has made the ambiguity more exact. |
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What is power? And how is it different in Eastern and Western martial circles? George Xu not only attempts an overview but shows what he considers the four types of martial power: vertical, gravity, Internal Art and space. As always, his ideas avoid the mystic and show reasonable and well-thought out versions of classical terms. There’s a lot of practice here and—for those who are already trained in the basics—just the kind of explanations you need when you’ve reached a certain sticky level in your training. The more practice you have already put in, the more eye-opening this DVD will be. About 25 minutes in, Xu Sifu starts giving exercises that slowly introduce his ideas of vertical and reaction forces. Most of these are what might be called active standing practice, something we definitely advocate. With Susan Matthews help he also demonstrates some of those feats we associate with internal power. Many good tips, some really crucial. Xu Sifu wants you to “get it” and his lectures and demonstrations show this. Particularly good if you want to expand your workout with some easy to learn but significant exercises.
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Don’t expect us to tell you the “four important things.” But what I will tell you is that this series of separate exercises is perfect for the Tai Chi practitioner. Though a lot of Xu’s fame rests on his excellent Chen Tai Chi, these routines which emphasize " Open and Close," seem particularly suited to the Yang Tai Chi stylist. Big movements which look difficult but are not, lots of waist swinging and twisting, a loose and relaxed manner in every movement: how could you NOT be healthy if you did this every day?
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Hun Yuan Qigong, Single Basics, Bomb Drop, Shrink Expand, Qi Circling, Chan Shi Jin, Tap and Massage, Power Stretching: this boot camp conference shows yet more training methods from the prolific George Xu. This is a no-nonsense, let’s-get-practicing attitude. A perfect DVD to just insert, step back and start practicing with your workshop friends. Lots of ideas, lots of informal demonstrations: seated reeling silk,
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Here is a survey of important training methods for all martial practices. It also contains a number of basic warmups and a key form of the Lan Shou or Barrier Hand system which George brought to the West. The form is demonstrated by George's teacher, Ye Xiao Long, also a major Tai Chi instructor. Demonstrations, many compiled for a 1998 video, show Qigong training, Two-person drills, Push Hands training and more. There is an intriguing long section on Power stretching, a sort of dynamic tension using martial postures to consolidate strength. At the end George demonstrates a free-form method of spontaneously linking and fighting with the elements shown on the DVD. The approach is casual but there are a lot of ideas here and everything is pretty much style-neutral. |
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Note: This says 1 of 3 but stands alone. Others haven't been released yet. |
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Despite the grainy camera work, this is a little treasure of a DVD. Once again, Xu Sifu comes up with simple but intriguing exercises. Although the DVD is titled Martial Qigong, most of the exercises here would be good for health maintenance. This is especially true with a 10-part exercise developed by Xu himself, which he guarantees has efficacy in stroke prevention. Probably the best neck maintenance series we've see (but of course care should still be take...) . However, there are some major concepts, such as his 'ocean' idea, and his 'third hand' imagery, which could be significantly useful for martial training. From copy:
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Like his friend, Adam Hsu, George has one of those minds which seeks the essence of things. Also, as a maturing martial artist, he is distilling his decades of study into significant observations. In this DVD he does what will be fascinating to some people and possibly disappointing to others. He shows the major movements of all Chinese martial arts as a group of simple but profound circular exercises. He also demonstrates the applications and gives strong hints not so much as the "Qigong" but toward the Nei Gong issue of what internally is occurring. For those fascinated with the underpinnings of the art this will be of great interest. Length - 1 hour 35 min. |
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Drills, Qigong and Forms Part One Demonstration of part of Chen style by George Xu. Part Two Yu Xiao Lin goes into major detail on the Four Energies of Tai Chi. This is one of the most mysterious aspects of Tai Chi to non-Chinese. He doesn't concentrate so much on the endless circling of the Four Hand exercise as breaking down all opportunities to actually use the Four Energies and then showing numerous variations of them. Then he starts on the Four Secondary Energies and shows many demonstrations of ways in which to apply, Pluck, Split, Elbow and Shoulder. Also a rare treat to to see Vincent Lynch practicing and helping out. Yu shows quite a number of energy issuing exercises as sequential marching patterns. Very nice, loose and instructive. He following with a "Qi Rolling" exercise where his fingers are entwined for the entire experience, a la Swimming Dragon Body Qigong. About 1 1/2 to 2 hours |
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This is a nice, informative lecture by Wang Tong, a student of Li Zi Ming, on the history, nick names, styles and principles of Ba gua. A charming background it is without demonstration and suffers a bit from the difficulties of simultaneous translation. This one could be called the "Lineage and Development of Bagua". For those not interested this might become tedious. At the fifteen minute mark Wang Tong Sifu thanks everyone then continues to talk for six more minutes. But if you want to hear someone who has "been there" this is a nice piece. Length - 20 min. |
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![]() Li Tian Wei walks through a lecture demonstration which combines his feelings and thoughts on practicing Chinese martial arts with a sort of walking demonstration . He shows a number of Xing Yi animals and tries to have us understand their shapes and spirits. Overall a nice lecture, with translation, and particular emphasis on the correct shape and its relation to the meaning of the movement. Translated by Liping Zhu. Length-18:30 min. see clip |
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Susan Matthews, head of the Shanti School of Tai Ji, demonstrates one of the most famous of Qigong forms: The Eight Pieces of Brocade. She does this standing in front of a mirror so we get the benefit of a double view of each action. Her instruction is detailed but also has the informality of personal observations, how she felt a certain move, how she solves a problem in execution. Her instruction is clear and detailed. This is a very good approach to learning this 800 year old, treasured set even if you are trying for the first time. About 27 Minutes |
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Yun Yen Sin Teaches Liu He Ba Fa, Primordial Qigong, and Push Hands at this week-long Summer Camp with George Xu in the beautiful coastal redwoods near San Francisco (La Honda). This DVD has a lot of material especially if you already know LiuHeBaFa or Taiji. Yun performs the Water Boxing LHBF set with continuous commentary by George Xu who speaks intelligently on the issue of CMA as "quiet" martial arts. This is followed by a very distilled discussion and demonstration of Primordial Qigong which concentrates on bringing Qi outward more than Dan Tian driven styles. Over 50 Minutes see clip |
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![]() by Susan A. Matthews There is a sense of self-sufficiency imparted by martial practice. One real key, long understood in martial circles, is your monitoring and sensitive maintenance of your own body. This is where responsibility begins. This DVD is a well-paced, open-hearted teaching session on breast self-examination. This can be an issue fraught with trepidation and Matthews approaches it gently but thoroughly. Discussions on the method are highlighted by woman telling of their experiences. The more you know about problems with mammograms, benign and other growths and the still rather primitive conditions in women's health (There was a time not too much in the past where all medical mastectomy studies used for reference were solely focused on men!) the more you will see that this is an essential extension of self-massage. We have heard too many stories of our sisters, mothers and daughters afraid to touch their own bodies ... If you need context, this is also an ancient and well established Daoist practice. But the real point is that it works and it makes everyone feel better and healthier. |
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![]() Wu Ji and Qin Zhong Bao (assist by George Xu) translation by Poh Kheng Loi & David Leung "Part One includes: demonstration of the cao quan section of the Lan Shou form; basic move drills; walking drills; application demonstrations; and a few standing qigong exercises with Grandmaster Qin. Part Two: Lan Shou Muscle-Tendon Stretching Exercises. This 35-minute DVD is a review of stretching exercises that Master Wu Ji's taught as part of the Lan Shou system training during China Camp '07. The exercises are grouped together for easy follow-along learning." "Brrr. Put on your jacket before you watch this two hour presentation of Barring Arm style. We are working out in the mists of early morning Colorado. This pair of DVDs explore that fine fighting system Lan Shou. The first shows the Chow Quan form then breaks it down with marching sections to master in phrases. Next we get to see applications by teacher Qin Zhong Bao AND grand-teacher Wu Ji. There is also a section on Lan Shou standing Qigong. The 2nd DVD is a real time review of the Muscle-Tendon exercises for Lan Shou. All real CMA styles have some tendon stretching but some, like Pigua and Tong Bei, used this method extensively. This is a very good, complete and slightly challenging series of movements combining stretching and issuance of energy. Not a generic series of "Qigong callisthenics". |
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![]() George Xu with Susan A. Matthews In this DVD, S. Matthews acts as interviewer to draw from George Xu his observations on how to understand the true nature of Tai Chi. Thee are the questions more people should have asked. He covers many essential concepts demonstrating his ability to issue and some of the finer points on the requirements between external and internal training. His explanations have the ring, and are indeed indicative, of much hands on training for long periods of time. He is open and informative and drives so directly to the core of the practice that the educated viewer will realize that he or she had MORE work to do from having listened to Xu; but also more rewarding work. Xu also shows supplementary exercises to enhance the feeling of the internal movement. Note: Even though George comments on Susan's questions in English someone has wisely subtitled the entire DVD to increase clarity. |
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Here is the core form of the Lan Shou system. We refer to the name as "Barring Arm" Boxing but it can be thought of as blocking or obstructing arm. Particularly strong in TianJin area Lan Shou may appear at first glance as a combination of Baji Quan and Tan Tui. Tough to imagine, we know, but think of a Long Fist art that has retained it animal qualities although—as if often the case in high level Northern styles—the animal quality is on the inside, not in the poses. George Xu shows the set through a "follow me" type of instruction where he repeats it numerous times with almost no verbal instruction. The set is show in its entirety and also broken down but, once again, with only visual clues. George's point may be to say "concentrate" and you'll learn it. They say Northern stylist who fought Bruce Lee back in the day, Wong Jackman, also like to instruct without talking. Lan Shou Qigong is also shown. This also has a demonstration of the form by Ye Xiao Long. About 60 Minutes see clip |
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This is a combination of DVDs. The first is a breakdown of the movements in the key Lan Shou hand set. Xu Sifu demonstrates each section of the Lan Shou form along with numerous applications for the set. He explains in a mixture of Mandarin and English. There are also a number of partner drills with variations some as simple as Three Stars and others of more complexity. Next he shows Lan Shou's Saber form. This is a good form elegant in its mixture of real saber energies and precise movement. The only flaw in the film is that the time code was left on and, though annoying, it doesn't detract from any information . About 70 Minutes applications: see clip applications and broadsword
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This is a pair of DVDs showing the famous ten animals of Xing Yi of, in this case, the Six Harmony (Liu He) branch.
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DVD #25106 On Being a Predator George Xu explains his theory of predator energy used in the practice of Chen Tai Chi but really in any Chinese martial art. This is an extension of his concept expounded some years ago in print on "animal" qualities well distinguished from "animal imitation" boxing where you try to look like the animal.In this lecture, admittedly sometimes difficult to hear and with a little break up, George Xu lists his eight attributes for practice. His ideas are really important and worth a number of viewing. One of the best explanations of what is missing from so much contemporary practice. You'll go back to this one over and over. About 60 Minutes |
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DVD #25114 Lecture on LiuHeBaFa The "Six Harmony Eight Methods" style is becoming more popular by the minute. According to George Xu the only reason it wasn't better loved sooner was that rich people in Beijing adopted Tai Chi much more openly. There probably is some truth in this and LHBF, which has been around longer than TC, is making up for lost time. It shares many of the attributes such as soft and full body movement. This entire lecture focuses on the use of the wooden (or any) ball as a training device. The ball can be a great training aid because it forces you to act like you are an internal stylist. Whole body movement which, take it from us, is VERY hard to grasp becomes easy with a ball in front of you. Good for ANY Kung Fu stylist. Note: In Chinese with immediate translation. A big room for a seminar, informal setting, some application to push hands, leg circling also shown. About 60 Minutes see clip |
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Forty-six martial artists from several disciplines and locations in China, USA, Italy, Germany, Norway, and Denmark perform their forms in this prestigious event. Names and styles are provided in titles of each performance, so you get to know who these accomplished martial artists are. See the list below of demonstrators in this series #1 about 69 Minutes #2 about 61 Minutes see clip |
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Participants in China Camp 07: |
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